I Know Why the Caged Bird Sings(J1262)
This Book is Currently in the Wild!
1 journaler for this copy...
paperback; 289pp; published, 1993
ANNOTATION
Superbly told, with the poet's gift for language and observation, Angelou's autobiography of her childhood in Arkansas.
FROM THE PUBLISHER
An unforgettable memoir of growing up black in the 1930s and 1940s in a tiny Arkansas town where Angelou's grandmother's store was the heart of the community and white people seemed as strange as aliens from another planet.
FROM THE CRITICS
NY Times Book Review
The wisdom, rue and humor of her storytelling are borne on a lilting rhythm completely her own, the product of a born writer's senses nourished on black church singing and preaching, soft mother talk and salty street talk, and on literature: James Weldon Johnson, Langston Hughes, Richard Wright, Shakespeare and Gorki.
Publishers Weekly
As in Wouldn't Take Nothing for My Journey Now, famed poet and author Angelou (I Know Why the Caged Bird Sings) casts a keen eye inward and bares her soul in a slim volume of personal essays. This collection is narrower in scope than Angelou's earlier book and the sense of racial pride is stronger, more compelling. But all of her opinions are deeply rooted and most are conveyed with a combination of humility, personable intelligence and wit. Like a modern-day Kahlil Gibran, Angelou offers insights on a wide range of topics-Africa, aging, self-reflection, independence and the importance of understanding both the historical truth of the African American experience and the art that truth inspired. Women are a recurrent topic, and in "A Song to Sensuality," she writes of the misconceptions the young (her younger self included) have of aging. "They Came to Stay" is a particularly inspirational piece paying homage to black women: "Precious jewels all." Even Oprah Winfrey (to whom the previous collection was dedicated) serves as subject matter and is likened to "the desperate traveler who teaches us the most profound lesson and affords us the most exquisite thrills." In her final essay, Angelou uses the story of the prodigal son to remind readers of the value of solitude: "In the silence we listen to ourselves. Then we ask questions of ourselves. We describe ourselves to ourselves, and in the quietude we may even hear the voice of God."
ANNOTATION
Superbly told, with the poet's gift for language and observation, Angelou's autobiography of her childhood in Arkansas.
FROM THE PUBLISHER
An unforgettable memoir of growing up black in the 1930s and 1940s in a tiny Arkansas town where Angelou's grandmother's store was the heart of the community and white people seemed as strange as aliens from another planet.
FROM THE CRITICS
NY Times Book Review
The wisdom, rue and humor of her storytelling are borne on a lilting rhythm completely her own, the product of a born writer's senses nourished on black church singing and preaching, soft mother talk and salty street talk, and on literature: James Weldon Johnson, Langston Hughes, Richard Wright, Shakespeare and Gorki.
Publishers Weekly
As in Wouldn't Take Nothing for My Journey Now, famed poet and author Angelou (I Know Why the Caged Bird Sings) casts a keen eye inward and bares her soul in a slim volume of personal essays. This collection is narrower in scope than Angelou's earlier book and the sense of racial pride is stronger, more compelling. But all of her opinions are deeply rooted and most are conveyed with a combination of humility, personable intelligence and wit. Like a modern-day Kahlil Gibran, Angelou offers insights on a wide range of topics-Africa, aging, self-reflection, independence and the importance of understanding both the historical truth of the African American experience and the art that truth inspired. Women are a recurrent topic, and in "A Song to Sensuality," she writes of the misconceptions the young (her younger self included) have of aging. "They Came to Stay" is a particularly inspirational piece paying homage to black women: "Precious jewels all." Even Oprah Winfrey (to whom the previous collection was dedicated) serves as subject matter and is likened to "the desperate traveler who teaches us the most profound lesson and affords us the most exquisite thrills." In her final essay, Angelou uses the story of the prodigal son to remind readers of the value of solitude: "In the silence we listen to ourselves. Then we ask questions of ourselves. We describe ourselves to ourselves, and in the quietude we may even hear the voice of God."
Journal Entry 2 by MRJIGGS at park bench, Clay & Jefferson in Kirkwood, Missouri USA on Monday, May 16, 2005
Released 19 yrs ago (5/16/2005 UTC) at park bench, Clay & Jefferson in Kirkwood, Missouri USA
WILD RELEASE NOTES:
RELEASE NOTES:
inside BC release bag
inside BC release bag
